AIR HALINSKI MI-24D (1-2-96)

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He did not wish to submit to a marriage ceremony, religious or civil, yet at the same time he knew he could never have lived openly with Nora Barnacle in Ireland. ) He chafed at the circumscription of Irish public life by the English colonial administration. And he could not help but wish to escape the implicit burden of the dysfunctional family that his father had allowed to sink into poverty and malnutrition. 4 To understand this disposition toward self-imposed exile, let me elaborate on allusions made in the previous chapter to the attitudes dominating the Irish artistic environment as Joyce grew to adulthood.

Previous studies have followed parallel approaches to how cultural, social, and spiritual contexts and traditions shaped Joyce’s process of composition, but they often came to markedly different conclusions. 17 In significant ways, my study benefits from all of their endeavors. These approaches privilege the same broad epistemological assumptions about the impact on Joyce of the Irish context and social and cultural institutions. In my own understanding of both the author’s creative efforts and the reader’s interpretative endeavors, I have striven to keep in mind Joyce’s Exilic Self-Conception · 27 what these critics say about how location, experience, and emotion have exercised formative influences on the construction and consumption of Joyce’s art.

And he could not help but wish to escape the implicit burden of the dysfunctional family that his father had allowed to sink into poverty and malnutrition. 4 To understand this disposition toward self-imposed exile, let me elaborate on allusions made in the previous chapter to the attitudes dominating the Irish artistic environment as Joyce grew to adulthood. At the turn of the last century, for Joyce or any other young writer living in Ireland, a prerequisite for success would have been a willingness to adhere to the agenda of the Irish Literary Revival.

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