$30 Film School: How to write, direct, produce, shoot, edit, by Michael W. Dean

By Michael W. Dean

We’re coming into a brand new period. Mini-DV filmmaking is the recent people, the hot punk rock, the hot medium the place a person can inform his tale. "$30 movie School" is an alternative choice to spending 4 years and one hundred thousand cash to benefit the alternate. it truly is prompted by way of punk rock’s home made spirit of simply studying the fundamentals after which leaping up on a level and creating a aspect, and via the yank paintings ethic again while it was once natural, earlier than it turned all approximately organisations crushing the little man. Throw within the hacker concept that details desires to be loose (or no less than very reasonable) and you’ve obtained our deal. within you’ll locate many interviews from insightful autonomous filmmakers and artists, in addition to a number of sensible suggestion, wisdom, and assets.

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Or perhaps I would just use it as a much-needed sabbatical to catch up on correspondence, charge my psychic batteries, and commune with my creator in a calm setting. This is as important to my writing process as the writing itself. Getting People to Work on Spec (Speculation) Chapter 2 I have a valid passport, and I just renewed it. I traveled extensively in Europe with a rock band in 1991: Germany, Austria, Switzerland, and France for three months. I’ve also been to Mexico and to Canada many times.

Later I went out for coffee with my friend Duke (Daryl Haney), a professional screenwriter who wrote Friday the 13th, Part 7, and about 30 other horrible cult classics (including some Rodger Corman stuff ) and says he’s never used three-act structure. We go to a Denny’s in Echo Park so we won’t run into any other screenwriters. m. He’s gonna look at the script and give me a second opinion. Today I also watched William S. Burroughs’ “Commissioner of Sewers” video, in which Wild Bill speaks repeatedly of the “cutup” technique of writing as a valid form of expression…of throwing much more randomness into art.

Or DIE: How to Survive as an Independent Artist. Getting People to Work on Spec (Speculation) Chapter 2 The project has 501(c)(3) fiscally sponsored through San Francisco’s Intersection for the Arts. We are seeking in-kind donations of goods and services from vendors to defer the cost of producing this worthwhile exploration of community and the triumph of the human spirit over adversity. e. ) would be useful. Any donation of goods or cash will be tax deductible as well as acknowledged in the credits.

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